5 UMMA Objects
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It is a round, openwork iron tsuba, in the design of three interconnected irises. The two holes are plugged with gold.
Japanese (Japanese (culture or style))
Tsuba (sword guard) with iris design
1775 – 1785
Gift of Mr. and Mrs. Robert T. Weston
1978/2.8
"This bowl on a high flaring foot probably was made in Kashan during the early years of the 13th century. Aside from a few touches of blue at the rim, the decoration consists of an undulating arabesque scroll which has been incised into the wall of the vessel just below the rim. The contours of the leaf forms were further defined by punching small holes in the vessel's walls which were subsequently filled by the transparent glaze. The connection of this group to Kashan is suggested by a bowl now in the Metropolitan Museum of Art in which the interior of the vessel has blue and black underglaze painting in a style well known from other Kashan wares." -PPS
Iranian (Iranian)
Footed Bowl with openwork floral scroll design
1167 – 1232
Museum Purchase
1957/1.61
This is a clear glass inkwell with a metal collar and sphere finial lid. The body has a hollow glass sphere resting on a base of three solid glass spheres. Each of the spheres is decorated with painted leaves and flowers.<br />
Artist Unknown
Three spears base on top of spear front, spear finial, iridescent color, hand painted
1875 – 1975
Gift in loving memory of Donald Maxwell Robiner from his family
2010/1.233
The inherently small scale of a manuscript page requires a simplified style with figures and plant forms against a plain background. This scene represents the meeting of a man and a woman (accompanied by attendants) in the forest.
Indian (Indian (South Asian))
Oriya manuscript (unidentified), leaf: A Meeting in the Forest (pair with 1997/2.40)
19th century
Gift of Professor Walter M. and Nesta R. Spink
1985/2.144
In this scene, a young prince, seen at right in his bejeweled splendor, offers reverence to an ascetic. The sage, nearly naked and with matted hair, sits on an animal skin. His right hand is in the gesture of exposition, suggesting that he is preaching to his courtly audience.
Indian (Indian (South Asian))
Oriya manuscript (unidentified), folio: A Courtier Visits an Ascetic. (Images and text on both sides; pair with 1985/2.144)
19th century
Gift of Professor Walter M. and Nesta R. Spink
1997/2.40
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